November 30, 2011

art secret 12 - watercolor winter snow scene

watercolor winter snow scene
with no white paint used

First sketch out a scene on regular drawing paper, then, using tracing paper, trace it with black marker. Place your marker drawing on a light box or window and trace it onto your good watercolor paper. This allows you to not only use your drawing again but..(art secret!!!) it ensures that your watercolor paper doesn't get scarred from repeated erasing.

Ready to trace onto good watercolor paper.

Next make a color menu (art secret #9 and #10). I used new gamboge, rose dore, prussian blue, payne's gray, burnt umber, burnt sienna, viridian green(winsor green), sepia and a dash of alizarine crimson for my color menu. Do your underpainting (art secret#11 ) and sky area.
Underpainting and sky.

When your underpainting is dry, start layering up your color leaving the white paper as the snow.
layering in color

Try to get most of the tree trunks and branches done before you start adding your pine needles. Next I added some grasses and twigs sticking out of the snow as well as some other details.
Adding twigs and other details.

And now for art secret #12...
Using a sharp exacto knife gently scrape away paint to create snow and white in the water the same way. Pick off the paint to create snowy and icy areas on the trees and water. and Voila! Snow details finish off this peaceful, beautiful winter scene.

October 29, 2011

art secret 11 - secret of painting or drawing pumpkins

There is a simple SECRET for doing a drawing or painting of a pumpkin!
Hint: Check out the way the pumpkin has lots of lumps and bumps.
First, sketch out the pumpkin being careful to include all of the vertical lines and make sure you sketch the part behind the stem as well.

If you are doing your pumpkin in color practice using yellow as your
under painting and build up
your layers with orange, alizarine crimson,sap green and burnt sienna to
create your lights and darks.

For your final painting be sure to create a caste shadow under your pumpkin with the complementary colors mixed with a dash of orange. Notice how the core shadow has a lot of orange showing. Enjoy!

September 24, 2011

art secret 10 - make a color menu part 2

Find the Transparent and opaque colors!
Art Secret Question: What one color is always very transparent in all media? Hint: It's not yellow. See below for the answer. You'll be stunned.

 
Another way to check out your color menu is to test the opacity and transparency of the colors that you are going to use. Here Laura is using permanent black India Ink to make tests strips. You can test the colors of any art media this way.

Let's talk about why it's important to know the qualities of the medium you're using. Right now Laura has let the India Ink dry on the watercolor paper overnight and will be using watercolor to test her colors. As artists we need to know if one color will overwhelm another color or even obliterate it.

Using the primary colors of red, yellow and blue as her base, Laura is taking 12 completely different colors with 12 different qualities. Check out the names of the colors and see how they look over the India Ink.


Using these same colors, Laura has let them blend together to see the effects she can expect while painting with them. Way to go, Laura!
You all should give this a try, it gives you a lot of information before you even start. And save your menus so you can continue to use them.
Art Secret Answer: Alizarine Crimson is always a very transparent pigment. Test it out and see.

September 6, 2011

art secret 9 - make a color menu

Color Menu For Your Painting!
Why practice on your final painting? The easiest thing to do that gives you the most control is to work up  a menu of the colors that you are going to use in your painting. Look at the shades of yellow and green watercolor in the sample menu above. You can do this with any art medium.

This is a work up of the colors you see in the color menu above. The artist has also added complementary colors into the study. Using a color menu and knowing what colors to use makes your painting shine. Try it and share with us!




















June 29, 2011

art secret 8 - stretching watercolor paper

These photos are a wonderful example of how to stretch watercolor paper over a wooden frame or stretcher bars. To do this you will need a piece of 140 lb. watercolor paper, a wooden frame to stretch it over (make sure that the frame is smaller than the paper!), a spay bottle with water and a staple gun and 1,2,3 you have watercolor paper stretched over a frame ready for painting.

1. Take a piece of watercolor paper and dampen one side by spraying it with water. It should be damp not wet.


2. Place the frame on top of the damp paper and start stapling by putting a staple in the center of each stretcher bar. Pull the paper snug as you turn the paper around to staple it. Staple on either side of the center staple all around and then fold the corners as neatly as you can and staple away!


3. Voila! You now have a great surface to paint on. As the watercolor paper dries it will flatten and be tight as a drum when it dries and although it will loosen up each time you paint, it will continue to dry flat.


Here is a painting done by Laura on stretched watercolor paper.



April 29, 2011

art secret 7 - painting pussywillows

These photos are a wonderful example of the elegance of the branches...

study how they curve and dance through the air and


look at all the different colors in the stems, buds and flowers.


Do you want to sketch out your drawing or just start painting? I used burnt sienna, sap green, dioxine violet and burnt umber in my stems and paint wet on dry.


Either way start with the branches and get your light and dark areas painted in.


Now you are ready to add the flowers. I always suggest that you add the jackets to the branch first and then paint in the flowers. And here is the Art Secret! Before you paint, wet the area where you want to add a flower starting near the stem and then add a drop of-you guessed it-Rose Dore and let the water do the work for you. While it's wet add your choice of another color to the flower and let the water pull the color over the rose dore and mix. The next Art Secret for the flower is to make sure that the color does not go to the edge, that way you  create a light and fluffy look around the flower. Now that you know, go have fun.



April 6, 2011

art secret 6 - Raoul Dufy

Raoul Dufy (1877-1953) was a French Fauvist painter who explored joy and optimism in his very colorful work. 
For more about him click here...  Raoul Dufy

Below is a Raoul Dufy inspired project we did while 
working from an unusual orchid:
This orchid displays a very rare blue color.


Step One: first we did a very loose sketch using dark, watered down acrylic. 
                                                          

Step  two: After the acrylic was dry we added very loose, watery color with watercolor. You can add acrylic, too.

These are two paintings done in this style.
Doing studies in this manner is GREAT for getting the creative juices flowing. It's fun and fast.